By John Jacobson, Social Media Editor Solange’s third studio album came as a surprise to the music community. After her sister Beyoncé’s visual album Lemonade…
By Tyler Obropta Hell or High Water is a stunning, modern Western that follows two brothers on a series of bank robberies, although the days…
The media’s perpetually unhealthy obsession with white-washing For centuries, the world has looked at lighter skin as a sign of beauty, wealth, and power. Although…
By Catherine Wells Imagine going to the impossible improv show: funny, heartfelt and short. Mike Birbiglia’s latest poignant film, Don’t Think Twice, is about what…
Fashion as identity For teens and 20-somethings, it’s hard to think of a time when perceptions about identity weren’t tightly intertwined with social media usage.…
By Meredith Dunham Keaton Henson’s fourth studio album, Kindly Now, ebbs and flows through the mechanisms of intimacy and modern relationships. The album explores the…
By Lisa Laffend Everyone’s favorite Canadian cartoonist, Bryan Lee O’Malley, best known for Scott Pilgrim, has finally released his first ongoing comic book series. Inspired…
By Kirsten Poulos The Dressmaker, directed by Jocelyn Moorhouse, stars Kate Winslet and Liam Hemsworth. It’s about Tilly (Winslet), a woman who returns to her…
By Sophie Israelsohn, Ministry of Cool Editor Cali-reppin’ alt. rock band Rooney made a stop at The Haunt on Oct. 28 during their first tour…
Sexualizing Snapchat filters The popular picture-sharing app Snapchat is rapidly becoming the answer to a number of existential questions. Where am I? Say no more:…