By Tyler Obropta This movie has a weird fascination with butts. The only other Richard Linklater films I’ve seen have been School of Rock (2003)…
-
-
It’s an industry problem I’m not entirely sure why people are suddenly up in arms about the 2016 Academy Awards’ lack of racial inclusivity. Sure,…
-
By Tyler Obropta Rare is the moment when I frantically confront my friends and tell them that the movie they all need to see is…
-
By Tyler Obropta Spike Jonze is a genius, because only a genius could pull off a funny, heartfelt romance about a guy who falls in…
-
By Tyler Obropta On her third studio album 99¢, Santigold’s peppy, “genreless” style prevails yet again with light electric pop tunes that simultaneously animate the…
-
By: Tyler Obropta The Lady in the Van commences with a smashing opening, and I don’t use the term “smashing” simply because it’s a British…
-
By: Tyler Obropta Somewhere between Sparklehorse and Of Monsters and Men on the indie-folk spectrum is Villagers, the Dublin-based band debuting Where Have You Been…
-
By: Tyler Obropta There’s no two ways about it: 45 Years is depressing. It’s a film so sunken in its story’s melancholia that even its…
-
By: Tyler Obropta Paolo Sorrentino’s Youth is bookended by music, opening with a knockout pop song from The Retrosettes and ending with an orchestral number…
-
Film Review By Tyler Obropta Staff Writer The first scene of Paul Weitz’s Grandma introduces the titular grandmother Elle Reid. She is crass, she is…