Cryptids are all around us, hiding in our text messages, lurking beneath the water, creeping in the woods. But who decides what, or who, is cryptic? Aren’t we all cryptic in some way? Read on to find out.
What are the societal implications of whitewashing religion? Buzzsaw examines if we can still accept an image of religion that is rooted in imperialism and the subjugation of other races in favor of the “white savior complex.” (Jesus Wasn’t White Though p. 13).
Language — especially in academia — has become increasingly complicated, as people use obscure, vague wordings to try to sound smart. But concerns have been raised that overly complex writing perpetuates inequality. (What Does That Even Mean p. 20).
If you’ve taken a college film class, you’ve probably been exposed to David Lynch. But watching a David Lynch film is a totally different beast than understanding it. (The Key To Unlocking David Lynch p. 31).
Issue Contents
News & Views
First Ladiesby Isabel Brooke
The unelected, unofficial, unpaid Job of 45 women and counting
The Mandela Effectby Meredith Burke
Is Nelson Mandela really dead? One writer explores such a conspiracy theory
Mars Madnessby Jack Hamilton
Billionaire Elon Musk and his hopes for mission to colonize Mars
Why You Should Watch American Vandal by Mateo Flores
Who drew the dicks? Netflix original American Vandal answers this question in a mockumentary style.
The Key to Unlocking David Lynchby Tyler Obropta
In honor of Twin Peaks’ revival, Buzzsaw deconstructs Lynch’s cryptic filmography.
