20-Somethings

The complexities of job security and free speech at Ithaca College

When I was 12 I walked into my living room at the exact moment my sister stepped off a chair. The rope snapped up around her chin like headgear. She broke three of her teeth when her jaw hit the edge of my mother’s antique trunk.
“Are you alright?”

I can still remember the day I discovered what sex was. I was sitting on my living room floor, cradling my new Cabbage Patch Kid (remember those?), when suddenly I looked up at my mother and asked, “Mommy, where do babies come from?”

When I tell people that one of my favorite singers is Kelly Clarkson, I usually get one of three responses: a) “Oh … Why?” b) “Wait, the girl from American Idol?” or c) “My preteen sister loves her!”

Union battle, fare increases and budget cuts for Ithaca’s bus service

Competitive spirit encouraged SAT/ACT cheating

The United States often prides itself on the notion that women have full, legal rights — to education, to employment and to make their own choices. But those legal rights face significant roadblocks when it comes to the doctor’s office; there, the country’s assurance of reproductive rights falls terribly short.

Students who are undocumented immigrants advocate for a better future

Here are just a few of our generation’s archetypes. Which one are you?

The title alone should really give the discriminating listener an indication of the kind of warped, surreal sensibility one can expect from the director of Mulholland Drive in his first full-length album. Of course, David Lynch’s body of work is characterized by its evocative musical soundscapes, much of it provided by composer extraordinaire, Angelo Badalamenti, that work to heighten the pervasive mood of confusion and underlying darkness that Lynch is best known for. It makes sense that the American auteur would extend his interests to music, for much of Crazy Clown Time evokes the same visceral fragmentation of the (post)modern world that permeate his visual output.