By Amelia Blevins Every kid has dreamed of dressing up as their favorite super-hero to kick some ass and take some names. But no one…
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By Amelia Blevins Before you say anything, Repo Men is not a knock-off of 2008’s Repo! The Genetic Opera. There’s no singing here and no…
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By Amelia Blevins Opening with the lyrics “it’s been a good year, a good new beginning” on the first track “Worker Bee,” indie pop-punk band…
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Sci-fi modes of transportation in TV and film By Amelia Blevins Did you ever wonder if that guy staring at you on the street was…
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By Amelia Blevins In 1966, the United Kingdom was rocked by a boat-full of pirates—rock and roll pirates. Broadcasting from the North Sea, a motley…
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By Amelia Blevins Meet Max. In Spike Jonze’s long-anticipated adaptation of Maurice Sendak’s Where the Wild Things Are, the only description for young Max (Max…
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9, Focus Features, 2009 By Amelia Blevins Set in an unnamed dystopia, 9 is made up of all the usual suspects found in post-apocalypse thrillers,…
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By Amelia Blevins “No, you lift from the bottom and I’ll pull it up.” “Wait, what if we lay it down on its side and…
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By Amelia Blevins After the entire world blacks out for 2 minutes and 17 seconds, chaos reigns as people waken to disaster and death. Patients…
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Warner Brothers, 2009 By Amelia Blevins As Bob Dylan’s “The Times They Are a Changin’” begins to play, director Zack Snyder sets the stage for…
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